So most of the day, I tried to take it easy, drink lots of water, take
some painkillers, wear a cold gel mask, all the things that tend to
help. I was feeling better by the time we headed out, although I still
wasn't feeling 100 percent.
Originally, we were going to see The
Dark Knight at The
Bridge, our favorite movie theater, and then have dinner afterwards.
But we arrived just 15 minutes before the movie time, to learn they
only had seats left in the first two rows. The Bridge is unique in that
you actually pay for specific seats, instead of general admission. I
normally don't like sitting up front, but I knew that with my headache,
I really couldn't do it or I'd leave with a full-blown migraine. I suggested
we catch the later showing instead.
So we bought tickets for the 9:30 showing and then drove across town
to The
Continental Mid-town, another of our favorite places. If you're
willing to splurge a little, The Continental is a great date place,
with a retro '60s decor and delectable food. Some of the plates are
big enough to serve two, so we planned to share. I let The Gryphon order,
since it was his birthday celebration. He selected a beet salad with
micro greens and goat cheese, along with grilled octopus, both of which
we had as appetizers. For a main course, we shared seared tuna, which
came with a delicious mushroom risotto. We were pleased with all the
food.
We ordered some of their special drinks, too. I had Pimm's Cup, which
is Pimm's No. 1 and champagne with ginger ale, lime and a slice of cucumber.
The desserts are tapas, or bite-sized selections. We each got our own
but tasted each other's. I ordered the S'more Cones, becauase I'd gotten
the hankering for s'mores while toasting marshmallows around the fire
the night before. The Gryphon had their Peanut Butter Cup, which is
a miniature pastry with chocolate and peanut butter.
Even after leisurely drinking two cups of coffee, we had lots of time
left before we had to head for the movie theater. At The Gryphon's suggestion,
we walked down to Walnut Street. We were going to stroll through Rittenhouse
Square, but then it began to rain a little, so we took refuge in a nearby
Barnes and Noble. While The Gryphon looked at computer books, I checked
out the literary magazines, of which they had a nice selection. I was
suitably impressed with several of them to buy issues, with plans to
submit my work later. They are Hanging
Loose, Opium,
The Kean
Review, Vanitas
and The
Sun.
About this time, I realized that my headache was pretty much gone.
This is a good thing, because it would have been hard to watch The
Dark Knight, which is an intense movie, with a nagging headache.
A
lot of people have written about the movie already, but I'll add some
quick impressions. The title is apt, because this movie is a much darker
look at the Batman story. Heath Ledger is terrifying as The Joker, embodying
the role so completely you can barely tell it's him, what with the ticks
and the voice and a characteristic limp. Ledger transforms into The
Joker in a much more complete way than Jack Nicholson ever did in the
Tim Burton movie. That's what makes this version so frightening: while
Nicholson was over-the-top and therefore less realistic, Heath Ledger's
Joker is damaged goods, at times seemingly pathetic. Not only does he
seem more like somebody you could actually encounter, but he's clearly
someone with nothing to lose, someone who, as Michael Caine's Alfred
puts it, just wants to see the world burn.
Contrast that to the almost pathologically upright and emotionally-controlled
Batman, as played by Christian Bale. He's a man who's so wrapped up
in his cause for justice that he can see almost nothing else. His quest
is paralleled by that of Harvey Dent (Aaron Eckhart), the district attorney
who strives to clean up the city by legal means.
Perhaps that's what makes this version of Batman so different. You
feel like there's really something at stake: it's not just a game this
time. It feels real, down to the identifiable Chicago setting. This
version of Batman does what few other movies have done: stripping away
the safety of the superhero genre, which abounds in unrealistic situations.
When you look at this Joker, a psychopath who wants only to cause pain,
it's easy to draw parallels with recent events terror strikes
for example where we are baffled by the brutality and pointlessness
of the violence. How can we possibly fight someone who wants nothing
rational?
While this movie doesn't offer easy answers, it asks the hard questions
and offers a thin, bright hope: that whatever terrors we endure, the
goodness of human nature will win out.
Rating (out of 5): *****